Chantal Akerman's "D'Est"

In "D'Est" Chantal Akerman Shows us landscapes and people in Eastern Europe and the former Soviet Bloc who she believes will be changed as a result of the recently fallen Soviet Union. Chantal uses several camera pans a few from motion rigs and the rest from vehicles. These pans i believe were intended to give impact to the feeling and mood viewing the people and landscapes viewed in her film. These "impact" gives an enhanced vision of the current state people and places so we well almost be "unknowingly" "forced" to remember and not to forget about what we have viewed and taken from Chantal Akerman's film "D'Est" (From the East).